This series explores displacement and distribution of objects from a point of origin.

"It began when my daughter knocked over a set of wooden blocks. It was a mess happening in slow motion—and what a beautiful mess it was."

There are two main sets of scripts that interact with each other. The first set, called Conflict, establishes the number of blocks, the sizes, and colours. The second set, called Compose, decides how to "drop" the blocks into the viewport, at what speed, and from what origin. Together these devices work together to simulate how one might capture a wonderful disaster, as it happens.

50cm x 70cm giclée print on gallery-standard archival paper, resistant to discolouration and deterioration over time. Edition 1 of 1.

S$240 — with shipping and taxes, frame not included.